UTAH TECH UNIVERSITY'S STUDENT NEWS SOURCE | April 12, 2026

Utah Tech graduate turns author with first published book

Imagine living in a world where humans have evolved with three magical abilities: quickened healing, sense enhancement and syphoning, or the ability to erase memories. Those who aren’t able to master all three are exiled to an island where toxins poison the air and grotesque monsters roam the mushroom forests. 

Imagine the terror and the heartbreak. Imagine you are one of them.

This is the plot of “Miscreant,” a fantasy dystopia recently published by one of Utah Tech University’s alumna. Writing was not always her passion, but Kynsie Hatch—known under her pen name Kynsie Cole—has blazed her trail as a published author. 

Utah Tech alumna Kynsie Cole poses with her debut novel “Miscreant.” Photo courtesy Kynsie Cole.

Cole tells the story of Bellanova “Nova” Darkov, a girl from the most prestigious family in all of Ghandria who has spent her entire life hiding her inability to syphon. After her secret is exposed, she’s exiled and given 60 days to master the ability or stay exiled and separated from her older brother Denali forever.

Readers will find strong familial themes surrounding Nova and the friends she meets during her exile. Similarly, a large part of her and Denali’s shared internal conflict surrounds their separation and their unbreakable relationship.

Cole said she wanted to incorporate an older brother and little sister bond to match the bond she shares with her older brother. 

“I think I write about what is most meaningful to me,” she said. “That’s what comes out on the page naturally. I have five siblings and I’m super close to them.” 

The book took nearly five years to complete from outline to publication, but it was an assignment in a high school creative writing class that came at the heels of her brother’s cancer diagnosis that sparked her love of writing. 

“I found this control in writing that felt magical because when I couldn’t control what was going on in my life… I could create anything I wanted,” Cole said. “I went home and over the next few years, I read 10 books on how to write books. I read some of them four or five times.”

It wasn’t until 2020 that Cole decided to begin writing the novel. She was enrolled at Utah Tech as a communication studies major and began outlining her novel after the COVID-19 pandemic forced students into online classes. She said she would come home to work on the story, oftentimes into the early morning hours. 

After 2 1/2 years of outlining, graduating with her bachelor’s in 2023, and two more years of writing, she finally got her name on a book, and “Miscreant” went on sale March 11, 2025. It was the No. 1 new release on Amazon when it debuted.

Cole’s time as a Trailblazer proved beneficial, as she credited connections she made at the Atwood Innovation Plaza for helping self-publish the book.

The Plaza exists to help students foster innovation and create businesses or products based on their ideas. Wayne Provost is the director of the Innovation Guidance and Solutions Center and has worked at the Plaza since 2016.

“I specialize in helping kids get proof of concept of an idea and take them to patent attorneys here in town,” he said. “I try to encourage kids to believe in themselves… [If] you got a really good idea, let’s go do something, and that’s what I did [with Kynsie].”

Cole credits Provost’s personal financial support for helping her obtain a copyright for the book. Similarly, it was through the Plaza and her internship with the Parks Project that helped her find a cover artist.

Lindsey Sorensen is Cole’s friend and co-worker who has been designing for 10 years and works as a merchandise designer for Utah State Parks.

She said she took an empathetic, user-centered approach when designing the cover and encouraged Cole to think about how she wanted readers to feel when they looked at the cover. 

“[Cole] worked with an AI program to get a concept of what she wanted,” Sorensen said. “Pulling someone in like me that knew how to use the tools… I was able to take it from AI to a finished, beautiful piece that is very different from the first concept she brought in.”

Sorensen picked the gold and charcoal color scheme and incorporated gold flecks and a leather texture to bring the fantastical elements of the story to life. 

Source: Amazon; Lindsey Sorensen.

At times, Cole said the writing process was lonely since she sacrificed her social life to work on the book, but she was grateful for the interaction in her classes at Utah Tech to help her divide her time evenly. The biggest lesson she’s learned throughout this journey is about passion.

“Find what you’re passionate about… and then do the work to become the best at it,” she said. “Do the work to know exactly how to do it and be the person that people go to help for.”

She left aspiring writers with this piece of advice:

“Start writing your book,” she said. “Don’t be afraid to do it and go for your dreams. What’s the worst that could happen?”

OPINION | Political distractions are working — and we’re paying the price

On Jan. 20, President Donald Trump signed an executive order that renamed the Gulf of Mexico to the Gulf of America. This act was so ridiculous and so ludicrous that all of my friends were talking about it. What I didn’t hear about nearly as much was the litany of other executive orders that concerned immigration action changes.

Now, we are less than 100 days into the new Trump administration, and things are bad and only getting worse every day. 

Political distractions are useful tools in the belt of any controversial figure looking to get things done. Diverting the attention of the public away from important issues and toward an issue that will get them fired up is common. I mean, do we really think Trump cares about drag queens? I’ll give you the answer now: he doesn’t.

Distractions are effective because politicians rely on the public being ignorant about when they are being diverted from a real issue. This is especially a problem within rural areas where education and exposure are lacking. 

Trump is effective at talking to his base and keeping them distracted with social issues while he slowly strips away their rights. A couple examples include Trump endorsing a Republican U.S. Senate nominee who falsely said schools are putting litter boxes in bathrooms for students, or Trump getting rid of regulations on shower heads so they’ll have a stronger stream again. They don’t even care as long as “wokeness” is being destroyed.

You should care that every day seems to bring a new story about a protester being taken into custody by Immigration and Customs Enforcement and not being heard from again. You should care that the SAVE Act could take away the voting power of millions of Americans if it’s passed by the Senate. You should care that petty tariffs will cause the prices of groceries and other necessities to skyrocket.

Distractions are easy to fall for, especially rage-bait adjacent ones like renaming the Gulf of Mexico. An overall sense of discontent and rage has become prevalent in America, especially after COVID-19. 

Being forced to stay inside for several months, combined with the economic downturn that occurred, deeply affected the average American. Grocery prices increased due to supply chain disruption. Because things haven’t changed much since then, and as the wealth gap widens, people get angry at their circumstances.

People are angry that gas prices are so high, and they’re angry their groceries are costing more and more each year. People are angry that landlords keep raising their rent, and they are angry at the cost of health care. 

So, where can they direct all of this anger? Is it at their landlords? Their bosses? Well, it’s easier to get angry at distractions. That’s where politicians step in and fire up the base by inciting rage at whatever will get people angry.  

Politicians spin these molehills into mountains, and people get angry. They take to X and express outrage at drag story hours while their rent gets higher. 

It’s easier to talk about the Gulf of Mexico than it is about these other issues, though. I get it. Looking these atrocities in the eye and then still having to go back to your daily routine is a hard pill to swallow. It’s critical we don’t turn a blind eye, especially now.

Don’t let yourself get distracted. Pay attention to executive orders signed and to news concerning immigration or proposed changes to voting laws. Pay attention and get angry at the right things and the right people. It’s not drag queens raising the prices of rent and groceries.

OPINION | Coachella: The overpriced, overpacked, dusty music festival

Every April, our timelines get blasted with sun-drenched influencers in boho fringe, pastel hair and glitter that will haunt us for the next six months. The caption? It’s some variation of “Living my best life in the desert.”

But let’s be honest—Coachella has been looking more awful year after year. On paper, Coachella looks like the perfect two weekends. In reality, it is my worst nightmare: an overcrowded, over-glamorized weekend in the middle of nowhere.

If you feel like you’re missing out, watch the dust-covered reels and overpriced fits, and take a deep breath. You’re not missing out on anything but a glorified mirage.

Let’s break it down. The setting itself sounds like a punishment. People are paying thousands of dollars to camp in the California desert, where temperatures can hit triple digits during the day. On top of this issue, attendees reported waiting over 12 hours to get into the festival.

Attendees share communal showers (if you’re lucky) and brave Porta Potties that resemble something out of a rodeo weekend. You’d think this was a survival of the fittest, not a luxury music festival.

Then there’s the food. Forget the music for a second, let’s talk about the $30 chicken sandwich or the $17 lemonade. Between the once-worn expensive outfits, $700 plus tickets and the cost of transportation and sustenance, it’s hard to believe people are willing to drop the equivalent of a down payment on a car to be in a hot, overcrowded environment.

At its core, Coachella has transformed from a music festival to a festival about class status. Most of the people you see documenting their outfits and bragging over sponsored lounges aren’t there for the music; they’re there for the content. 

Social media has made festivals like Coachella less about the experience and more about the appearance of the experience. The goal isn’t necessarily to enjoy the music, but to be seen enjoying the music. Or rather, to be seen pretending to.

The rest of us at home feeling FOMO need to stop falling for it. The FOMO you are feeling is manufactured and heavily filtered by sponsored brands hoping you’ll buy into the illusion that sweating through heat exhaustion will be a vibe.

As much as it would be great to see your favorite artists perform live, Coachella is not worth the hype. Everything is streamed on YouTube or TikTok, making it more enjoyable to watch without the risk of heatstroke. Most of the artists are going on tour this summer anyway, like Post Malone and Lady Gaga.

If you actually love live music, there are dozens of smaller, more intimate festivals across the country that don’t require you to mortgage your future or inhale three pounds of dust. Support local festivals to feel the intimate vibe they portray. Your sanity, savings and social battery will thank you.

Utah Tech Dance Program takes the stage for spring concert

The houselights dim and all chatter quiets, indicating the start of Dance in Concert for the Utah Tech University Dance Program.

Welcomed by a spotlight on the mainstage of the Dolores Doré Eccles Fine Arts Center, directors J.B. Shilcutt and Jennifer Weber stepped out April 17 to begin the night filled with dance. They introduced the concert and the ideas behind it, including the importance of performing arts.

There were six different pieces throughout the night, which were titled “root(ed) 2.025,” “gRadient,” “Beholder,” “neither lost nor found,” “Nostalgic Dreamscapes,” and “modUS operandI.”

Before each performance, the screen would lower, and a video from the choreographer would play. These videos would include clips of the rehearsals as the choreographer explained the meaning behind the dances.

Sara Gallo, dance program director and department chair of theatre, dance and digital film, choreographed one of the dances in the performance. Her piece was titled “Nostalgic Dreamscapes” and included a 14-minute contemporary modern dance with eight dancers to music composed by Beethoven. Gallo said her piece was inspired by the idea of loss.

“I’m interested in the differences of missing a person versus a place or an object,” Gallo said.

Additionally, Gallo said there is nothing she would want to change for her piece, but she would be interested in continuing to develop the piece in the future.

“I am satisfied with where the dance is currently, and I really appreciate my dancers,” Gallo said. “They have been very committed. I couldn’t have asked for more in them, and so in that sense, I wouldn’t change anything in terms of casting.”

Mia Chamberlain, a sophomore dance major from Fruit Heights, said her favorite piece to perform was the piece by Gallo.

“There is this movement that we do on a bench, and then that bench movement is referenced and modified throughout the rest of the dance,” Chamberlain said. “I would definitely say that’s my favorite part of the dance.”

For Finnian Helsten, a sophomore dance major from Salt Lake City, their favorite piece was choreographed by James Morrow. Helsten said it is hard to choose a favorite piece because all the pieces were so different.

“I feel that creating the dance with James and the other dancers in one day was a special experience, and I feel very connected to what we all made together,” Helsten said.

Helsten was also cast in every single piece of the show. They said it has been a challenging yet welcome challenge preparing for each of the dances.

“It’s been a challenge to be so busy, but I feel much stronger as a dancer and am excited to show everyone the end result of all the hard work I, as well as the other dancers in the show, have put into creating the pieces we will be performing,” Helsten said.

The second night of the concert will be April 18 at 7:30 p.m. for anyone interested in watching the concert.

“We have dances that are more contemporary modern, we have dances that are contemporary ballet, we have hip-hop, and urban dances as well as aerial,” Gallo said. “So, anyone going to see this concert, there should be a little something for everyone.”

Grit and growth: How junior college shaped two Utah Tech standouts

College sports are an ever-changing landscape with new rules and regulations constantly being implemented. Eligibility has always been a rambunctious topic within the college sports world, and there’s been another shakeup regarding eligibility for junior college athletes. 

The National Collegiate Athletic Association granted a waiver that gives JUCO transfers one additional year of eligibility for the 2025-26 season only if the 2024-25 season was supposed to be their final year of eligibility. 

JUCO is a term that refers to two-year community colleges. Typically, JUCO athletes play a maximum of two years before transferring to a four-year college or university and using their remaining two years of NCAA eligibility. 

A recent lawsuit between Vanderbilt University quarterback Diego Pavia and the NCAA resulted in a Tennessee judge granting Pavia and other senior JUCO transfers an extra year to play.

This ruling affects two players on the Utah Tech University baseball team who were JUCO transfers. First baseman Aaron Perez, a senior recreation and sports management major from Santa Ana, California, and outfielder Hunter Katschke, a senior criminal justice major from Las Vegas. Both hit above a .240 batting average and have played in at least 30 games this season. 

Perez grew up in Santa Ana, which is about 32 miles southeast of Los Angeles. He grew up playing baseball with his cousin and started playing travel ball when he was 12 years old. He had zero offers at the end of his senior year of high school and took a walk-on spot at California State University, Bakersfield

“[College] baseball wasn’t my goal until maybe fifteen, sixteen,” he said. “College coaches kept telling me, ‘You have a future in college baseball,’ and it made me work harder to strive for it.”

Perez said he struggled during his time in Bakersfield and transferred to Cypress Community College in Cypress, California. It was after his sophomore season there that he earned a scholarship to return to Division I at Utah Tech. 

“I don’t think I’ve ever worked as hard as I did at JUCO,” he said. “It was a good experience for me. [The] coaches coached me hard and… taught me how to believe in myself. I just strongly recommend JUCO. I think it’s gotten [a lot of guys] where they want to go.” 

His path ended up taking him to Utah Tech at the beginning of his junior season, thanks to head coach Chris Pfatenhauer. During his 13-year tenure, Pfatenhauer has made recruiting junior college athletes a priority. 

“A lot of bigger schools are going after [transfer] portal guys, which is leaving some of the better junior college players available,” he said. “We’re really trying to focus on that and attack that avenue of the recruiting system.”

That avenue helped him recruit Katschke. His situation was similar to Perez’s, in that he was also committed to play at a Division I school before taking the JUCO route. He knew from a young age he wanted to play college baseball and played for Basic High School in Henderson, Nevada, and committed to the University of Nevada, Las Vegas before deciding it wasn’t the right fit for him. His sophomore season took him to the College of Southern Nevada.

“[That team] is such a tight-knit group,” he said. “I still look at all those kids like brothers. I still talk with all the coaches.”

Katschke said his childhood love of the game fueled him wanting to play for as long as he could. His time at CSN helped that love grow.

“I can definitely say that junior college helps people decide if the game is what they really want to do or not,” Katschke said. “[It’s] the route that some of the grittiest players in the game take. It’s tough on your body, it’s tough on the mind. I think that I would have to say the best players I’ve ever really known came from JUCO.” 

Student-led conversation: Showing support for Utah Tech’s international students

Utah Tech University students gathered April 16 in a student-led dialogue to raise donations following the news of 10 international students having their visas revoked.

Student leaders of the Utah Tech Student Association—Sam New, Bella Estes and Ella Parsons—put the dialogue together in the Gardner Student Center ballroom. The crowd consisted of around 80 people including students and Ali Threet, assistant vice president and dean of students.

The purpose of the event was to serve as a dialogue between students and Shadman Bashir, the executive director of international programs. It also allowed students to show empathy for their international peers.

“The main goal and the most important goal is for international students to feel supported and cared for and to answer some questions other students may have about what’s going on,” Parsons, a senior sociology major from Avon, Indiana, said.

New, a senior individualized studies major from Leeds, opened the event with an introduction to who would be speaking and resources that can help international students in need. New gave attendees a handout at the ballroom entrance; it listed Utah representatives’ contact information, a template for contacting them and a donation link.

Parsons followed with reading letters from anonymous international students expressing feelings of confusion and fear surrounding visas being revoked.

Students were able to ask Bashir questions concerning the Office of International Programs. Threet answered a few questions posed by students as well.

One student asked why UT’s public statement regarding the situation was “disappointing” and didn’t include a single “I’m sorry.” Threet answered this question and agreed with the student. She said the statement was a blanket statement to show they were doing something about the situation.

“We need to make sure that at least the student body knows that we’re aware and that they [international students] are receiving individual help through the international student office,” Threet said.

Another student asked if the international students who were set to graduate would be awarded their degrees, to which Bashir said they would be receiving their degrees.

Bashir answered technical questions about the process and reasoning behind why Certificate of Eligibility for Nonimmigrant Student Status forms, I-20s, are being revoked.

“In the past, if a student’s I-20 was cancelled, they had an option called reinstatement,” Bashir said. “That option is still there, but the fear and the concern that we have, will the same practices apply when people apply for [reinstatement] and they are waiting? Will they get picked up?”

Bashir also said the university’s international office is covering flight tickets for students who are choosing to leave the country and needed assistance affording a ticket within the 15-day deadline. The Office of International Programs is making sure these students leave in time so they are not arrested and criminally deported.

The international office is checking the listing every day for students who may show up due to even minor offenses.

“These are our kids. This is painful for us, you know,” Bashir said. “What we are doing is whatever is best in our judgment.”

Students are advised not to protest in order to protect the status of international students. There are ways for students to help out. Individuals can donate to the international students who are leaving the country or call representatives and make their voice heard.

“Those are our friends and our fellow students; I think we see a huge support from Utah Tech because we know those people,” New said. “I don’t want my friends to go, I don’t think any of us do. I think we are losing a big part of what makes Utah Tech, Utah Tech.”

Strategic reinvestment underway at Utah Tech

Utah Legislature passed the Higher Education Strategic Reinvestment Bill, HB 265, Feb. 4, which required higher education institutions to reinvest their funding. Utah Tech University is required to reinvest $2.5 million within the next three years.

Utah Tech vice president of Administrative Affairs, Paul Morris, and provost and vice president of Academic Affairs, Michael Lacourse, are co-chairs of the Strategic Reinvestment Committee. This committee will decide how UT’s funds will be reallocated.

The goal of the committee is to examine all areas across campus and create a reinvestment plan that follows HB 265’s guidelines.

“The committee has reviewed the programmatic and other reinvestment options previously identified by Academic Affairs, data on enrollment and enrollment trends, programmatic costs, open positions, voluntary severance options, and your input through the strategic reinvestment plan form,” Morris said.

The committee includes:

  • Michael Lacourse—co-chair, provost and vice president of Academic Affairs
  • Paul Morris—co-chair and vice president of Administrative Affairs
  • Del Beatty—vice president of Student Affairs
  • Ken Beazer—executive director of athletics
  • Andy Hunter—2025-26 student body president
  • Jennifer Ciaccio—Faculty Senate, professor of biology
  • Jamy Dahle—director of counseling services and wellness promotion
  • Eli Bermudez—dean for College of Health Sciences
  • Linda Yu—dean for College of Business
  • Greg Esplin—assistant director of Human Resources
  • Henrie Walton—interim chief of staff and assistant to president for government and community relations
  • Matt Nickodemus—executive director of institutional effectiveness
  • Natalie Nelson—General Counsel, assistant attorney general 
  • Shantelle Owens—assistant director of planning and budget
  • Lucia Taylor—associate professor of Spanish and co-associate dean for College of Humanities and Social Sciences

In an email sent campuswide April 4, Morris said the committee has been meeting regularly to meet requirements set by the bill.

“The Strategic Investment Committee is dedicated to identifying options that will best meet Utah Tech’s mission and vision and position the institution for future success,” the email said.

The email also included a timeline for when the committee will meet and discuss reinvestment.

  • April 7-25: Continued review of data, identify cost reductions, create reinvestment strategy
  • Week of April 14: Campus town hall meeting and survey
  • Week of April 28: Distribution of proposed reinvestment plan and feedback
  • May 9: Reinvestment strategy submission to Utah System of Higher Education

Del Beatty, a member of the committee and vice president of Student Affairs, said there were uncertainties about where reinvestment will take place, but they are taking a look across all constituencies from around campus and coming up with a plan to be compliant with the guidelines of HB 265.

“Right now there is a form online, employees can go on and voice their concerns, their ideas, their interests,” Beatty said.

The campus is required to have a three-year plan to cut the budget by $2.5 million and then reinvest the money into a budget that will better serve the taxpayer. The campus won’t be losing the money, but funds will have to be reallocated within the three years.

Beatty said the committee wants to look at academics and reallocate funds that produce more graduates and therefore contribute more to the Utah workforce.

Concerns voiced in the online form will be discussed in the committee’s meetings.

Students like Kaedon Uehling, a sophomore exercise science major from Burley, Idaho, have concerns about what reallocation could mean for clubs and student organizations on campus.

“They recently had that bill [HB 261] that changed where inclusivity entities are now clubs instead of ran through the school,” Uehling said. “So, if funding gets cut, it could be cut from clubs that are supporting students here on campus.”

However, Beatty said any students who are concerned that a program they are enrolled in may be cut, will not be cut off and left in the middle of a degree. The degree program will still be offered until those students have graduated.

The committee plans to host a campus town hall meeting April 14 where the campus community can attend. By attending this meeting, students can hear what concerns have been submitted so far as well as voice their own concerns.

OPINION | Stop using queerbaiting as a marketing tool

Queerbaiting is harmful to those who are trying to feel represented. Representation is important, but it has to be fully thought out and not added last minute to make fans happy. It makes a mockery of the experiences that LGBTQ+ people have. Representation should be used with good intentions and anything less should be frowned upon.

An example of using representation with bad intentions is Kit Connor and Charles Melton’s kiss during a photoshoot for the film “Warfare.” The film is based on a Navy SEAL’s experience during the Iraq war. The kiss was a publicity stunt done by the actors to get people to watch the movie, and seeing the reactions to the clip, it worked.

This is concerning because it distracts from what the movie is about. This is not a romantic comedy. This is a serious movie about the horrors of war and the nightmares the soldiers face on the battlefield. People should be going into that movie for the right reasons. They should be ready to face gruesome sights and hear the stories of real soldiers.

There were comments calling them out for queerbaiting, but there were more saying they ship the two together and they would only see the movie just to see those two together.

Vampire Diaries” and “Sherlock” are other shows that have been accused of queerbaiting. Both shows have queer relationships that come out of nowhere and are not developed as well as the heterosexual ones. This leaves fans confused and disappointed. Representation in media is important, but it doesn’t matter if the relationships are shallow and not executed to the level as the other relationships in the show.

On the other hand, there are some bands that have used queer representation to create a safe space where people can be themselves.

Gerard Way from My Chemical Romance has said he has “always identified a fair amount with the female gender” and has spoken out against “shitty ass rock dudes” with his makeup tutorials, kissing bandmates during performances, and songs that have potential queer references.

Way has been an advocate for transgender and nonbinary rights through their interviews and on stage. Fans have found a place where they feel comfortable to be themselves.

My Chemical Romance has been an inspiration for queer people to embrace their identity and find a community where they feel accepted.

I am a big My Chemical Romance fan myself, and I agree their songs are anthems to outcasts around the world. Feelings of being isolated and being treated like an outcast are major motifs in their songs; their songs act as a beacon to those who are exploring who they are and give them a place where their feelings are validated. 

Queerbaiting exploits a culture for personal gain. If the relationship in a show sacrifices the quality of the show, it should either be rewritten or cut out entirely. It isn’t fair to the fans who want representation if what they get is a half-baked romance or their partner is killed off.